''With this latest work, director Matías Bize proves that he only needs a few (but magnificent) actors, an excellent screenplay, and his skills and experience as a director to make one of the best South American films of recent years.''
Ana is driving the car. Next to her is Mateo, her husband. Together they drive through the woods. The tension in the car is high. Mateo begs her to return, but Ana drives on. After two long minutes, she finally turns around. At the place where they left their son Lucas, they only find his cap. What was intended as a punishment quickly turns into a nightmare for the parents. A wave of reflections, accusations and inconvenient truths emerges. In a continuous scene of just under an hour and a half, we follow Ana and Mateo as their marriage slowly falls apart.
Ana is driving the car. Next to her is Mateo, her husband. Together they drive through the woods. The tension in the car is high. Mateo begs her to return, but Ana drives on. After two long minutes, she finally turns around. At the place where they left their son Lucas, they only find his cap. What was intended as a punishment quickly turns into a nightmare for the parents. A wave of reflections, accusations and inconvenient truths emerges. In a continuous scene of just under an hour and a half, we follow Ana and Mateo as their marriage slowly falls apart.
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